Lot 897 , Victor Pasmore (1908-1998) Point of Contact No.1 27 x 40in.

Victor Pasmore (1908-1998)
screenprint,
Point of Contact No.1
signed in pencil, 22/70,
27 x 40in.
Estimate £300-500

A fair amount of undulation showing throughout the paper of this print, which is laid over a paper backing and may well be tabbed at the corners, ground paper remains white with a number of small dirt specks scattered throughout, many of which are on the perspex glazing rather than the work itself, printed colours remain strong, signed and numbered in pencil, housed in a contemporary perspex wrap around frame which has broken on the lower right hand edge, label verso for Mickelsons of Washington verso.

Dennis Farr, museum curator and art historian was an outstanding propagandist for 20th century British art. He trained under Anthony Blunt, wrote his MA dissertation on William Etty and subsequently published a full catalogue (William Etty, 1958)
His career began as Assistant Keeper at the Tate Gallery where he was involved in the Duncan Grant retrospective, the 'Romantic Movement' exhibition and wrote two books; Modern British Paintings, Drawings and Sculpture (1964) and British Sculpture Since 1945 (1965). He went on to work at the Paul Mellon Collection in Washington, Glasglow University and as Director of the Birmingham City Museum and Art Gallery.
He served as a JP, was appointed CBE in 1991 and remained unique in having been both President of the Museums Association and Chairman of the Association of Art Historians. Alongside his administrative roles he engaged in research, producing numerous works including a volume in the Oxford History of English Art series; English Art 1870-1940 (1978) as well as his book on the sculptor Lynn Chadwick (Lynn Chadwick: sculpture, 1990, written with Eva Chadwick).


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Sold for £600